更新时间：2026-08-26 来源：互联网编辑：秉通马安点击数： 9099次

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『ばけばけ』新キャストにネット騒然　“朝ドラ受け”でも注目「空気が変わった」_我的网站

美味情缘

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A sea of clouds rolls across Laojun Mountain in Luoyang, Central China's Henan Province, with golden-roofed temples emerging through the mist, on July 6, 2026. Photo: VCGFor 30 days, Li Sichen got up before sunrise on top of Laojun Mountain, camera in hand, chasing clouds across the peaks. Some mornings, the sea of clouds rolled in before breakfast; on others, he had to keep moving, checking one viewpoint after another in search of a patch of mist worth filming. By the time he got back to the foot of the mountain, the 22-year-old had spent a month watching the same landscape change by the hour - all for a job that had first caught the internet's attention for one simple reason: 60,000 yuan ($8,900) a month to "watch clouds."
It all began with Laojun Mountain's spectacular summer cloud season. In a recruitment notice issued in July, operator of the scenic spot said July and August offer some of the best chances to see seas of clouds there, and it wanted someone to stay on the mountain and record how the spectacle changed from day to day. The unusual job posting unexpectedly drew over 3,500 entries in about a week, with Li eventually emerging as the mountain's first "cloud sea observer."
Located in Luanchuan county of Luoyang, Central China's Henan Province, Laojun Mountain rises to 2,217 meters and is known for its dramatic peaks, seas of clouds and long history of Taoist culture, according to the mountain's official website.
But how does it feel like to work on top of the mountain, far away from online shopping, food delivery and party with friends?
An unconventional way of seeing
"My days on the mountain quickly settled into a rhythm shaped partly by the clouds, and partly by the cafeteria," Li told the Global Times. He usually got up around 5 am to shoot the sunrise and clouds, had an early lunch as the cafeteria opens at 11 am, spent the afternoon exploring around the mountain, then rushed to cafeteria for dinner before heading back to the observation spots for sunset. The day often ended with editing footage until close to midnight.
"Sometimes there is nothing in front of you from one viewpoint, but after walking a little farther and changing the angle, a small sea of clouds jumps in front of my eyes."
Professional photographers usually seek higher vantage points for better views of seas of clouds, while Li sometimes headed down toward the mountainside. "That was something I really hadn't expected," Zhang Pengyuan, a manager at Laojun Mountain, told the Global Times.
"This was exactly why the scenic spot wanted eyes from outside to find the beauty of the mountain through a different angle," Zhang said.
What set Li apart, Zhang joked, was precisely that he was "not professional." Unable to calculate cloud heights or predict the perfect shooting conditions from weather forecast, Li relied on the simplest method: going out again and again to see what had changed. That sometimes led to compositions the scenic spot's own photographers had never considered. "What he recorded was closer to what an ordinary visitor could actually see," Zhang said.
Li had arrived on the mountain with little professional photography experience. Media reports said that before taking the job, he was not yet proficient with a drone, and his previous videos usually drew only a few hundred or a few thousand views. However, that changed almost overnight when his application video took off, eventually drawing tens of thousands of likes and helping him stand out from more than 3,500 applicants.
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    The "cloud observer" Li Sichen adjusts filming equipment at an attraction point on Laojun Mountain. Photo: Courtesy of Li Sichen
From visitors to storytellers
Beyond Laojun Mountain, scenic spots across China have increasingly been inviting young people to take part in content creation, event planning and tourism promotion, often through unconventional jobs tailored to the language and habits of social media.
According to Southern Metropolis Daily, Shennong Valley National Forest Park in Central China's Hunan Province recently recruited 10 "wild men" to dress in animal costumes and interact with visitors in the forest.
The Dixin Valley Scenic Area in Hubei Province also drew more than 3,000 applicants for 12 summer trainee positions to play as NPCs, produce creative content, and work as photographer and tour guide for 10 days.
The idea goes beyond novelty. Scenic spots are increasingly turning to young creators who understand short videos, online trends and the interests of their peers. A tourism short-video contest in Jinhua, East China's Zhejiang Province held in 2025 featured university students presenting the city through vlogs, traditional-style costume transformations and AI-generated art - part of a broader effort to let young people help shape how destinations are seen and experienced.
Young travelers are increasingly drawn to experiences that are immersive, participatory and easy to share, reflecting a broader shift in China's tourism market from "standardized sightseeing" toward more personalized experiences, Zhang Lingyun, a professor and the executive editor-in-chief of the Tourism Tribune, told the Global Times.
As tourism offerings have expanded and competition has grown, travelers have more choices. Changing consumer preferences in China mean many young people now look beyond simply "seeing the beauty" to experiences that feel distinctive, personal and worth sharing on social media.
The internet and social media have accelerated this shift, Zhang said, adding that as "digital natives," Chinese young people are becoming increasingly fluent in short videos, social platforms and online interaction. By bringing young people directly into content production, scenic spots can move beyond simply guessing what tourists want through surveys, and learn from what they actually create and share.
Initiatives such as the "cloud sea observer" can help destinations rediscover themselves through a visitor's eyes while reaching younger audiences more effectively. The goal, Zhang noted, remains the same: better meeting tourists' needs, even as the tools, channels and participants have changed, he said.
On his final morning on Laojun Mountain, Li got up early once again to watch the sunrise. But this time, he lowered the camera.
"That was when I suddenly realized how beautiful the mountain really was," Li said. After 30 days of chasing clouds, searching for angles and turning each day into footage to share with other young Chinese in the online community, he was finally able to simply look.
When Li was really enjoying the last moments on the mountain, he - just like the line from comedy The Secret Life of Walter Mitty - "didn't like to have the distraction of the camera. Just wanted to stay in it."
。    俳優の高石あかり（※高＝はしごだか）主演を務める、NHK連続テレビ小説『ばけばけ』（月～土　前8：00　NHK総合　※土曜日は1週間の振り返り／月～金　前 7：30　NHK　BS、BSプレミアム4K）の第102回が、24日に放送された。以下、ネタバレを含みます。【写真】ネット騒然となった新キャスト　本作は、松江で生まれ育ったヒロイン・松野トキ（高石）がつまずきながらも前向きに生きていき、世界を転々とした末に日本にたどり着いた外国人の英語教師と出会い、“怪談好き”という共通点から次第に心を通わせていく。「怪談」を愛し、外国人の夫と共に、何気ない日常の日々を歩んでいく夫婦の物語。松江の没落士族の娘・小泉セツとラフカディオ・ハーン（小泉八雲）をモデルに、大胆に再構成して登場人物名や団体名などは一部改称してフィクションとして描く。

B | 原作はなく、脚本はふじきみつ彦氏が手掛ける。　第102回では、ヘブン宛に原稿料80円が届けられる。

C | 思った以上の金額に一同は驚き、ヘブンは「これからは作品を書いて稼いでみせる」と宣言する。しかし、作山（橋本淳）が心労で倒れた影響もあり学校の仕事が増え、執筆の時間を確保できない。焦りから家族にあたる場面も描かれた。　トキはヘブンを支えようと、皆で題材探しをすることを提案。

D | フミ（池脇千鶴）は書店で「琴線に触れるものがあれば」と分厚い本を次々と購入するなど、それぞれが奔走する。　帰り道、トキは暗い雰囲気をまとった女性・吉野イセ（芋生悠）と出会う。地蔵に祈るトキに対し、イセは「お地蔵様に車引きと祈るとかなわないという言い伝えがある」と声をかける。

E | 永見剣造（大西信満）が否定すると、「ウソつきは来世で蛇になる」と言い放つ。不気味な言葉にもトキは「面白い」と興味を示し、ヘブンが好みそうだとつぶやいた。放送後、SNSには「怖いよ」「ホラー感満載」「不気味だ」「ミステリアス」といった反応が続出。幽霊のようなたたずまいに朝からひんやりしたとの声も見られた。　同日放送の『あさイチ』（月～金　前8：15）では恒例の“朝ドラ受け”が行われ、鈴木奈穂子アナウンサーが「ラストにあの女性が出てきてから空気変わりましたよね。怖い」とコメント。